Formafantasma <\/strong> . <\/p>\n The point is not only to introduce a new sector, but to recognize a market that in recent years has often lived “on the margins” of the Salon, between galleries, districts and dynamics closer to art collecting. Here, however, the declared intention is to build a bridge: to put ingalleries and designers dialogue with international decision makers <\/strong> and with the professional design market, offering a clear and curated perimeter in which to discover and acquire collectible works and furnishings. <\/p>\n Among the 25 exhibitors <\/strong> announced there are companies such as Nilufar <\/strong> , Collectional <\/strong> , Salviati x Draga & Aurel <\/strong> , Mouromtsev Design Editions <\/strong> , Mercado Moderno <\/strong> , Bianco67 <\/strong> , Brun Fine Art <\/strong> .
And to amplify the experiential dimension, a special project <\/strong> signed by Sabine Marcelis <\/strong> is also planned, built \u0096 as expected from her language \u0096 on the relationship between light, matter and perception. <\/p>\n Raritas is a response to the theme of longevity <\/strong> and value over time. In a sector where innovation runs fast, the idea of ??”rarity” shifts the conversation to durability, care, archive and collectability: not as nostalgia, but as a contemporary metric of the project. <\/p>\n The return of the Biennials: EuroCucina\/FTK and Salone del Bagno <\/h2>\n
![\"salone](\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/01\/salone-del-mobile-2026-eurocucina.jpg\")
<\/p>\n
In the heart of the 64th edition the Biennials return, and it is not a “ritual” return: kitchen and bathroom <\/strong> are today the two environments in which the house most clearly shows its transformation into a technical, sensorial and sustainable system. <\/p>\n EuroCucina 2026 + FTK: the kitchen as a hybrid (and intelligent) space <\/h3>\n
EuroCucina <\/strong> with FTK \u0096 Technology For the Kitchen <\/strong> brings to the fair the story of a kitchen that is increasingly less a “room” and more and more an ecosystem <\/strong>: hybridization of contexts, desire for the outdoors, sustainability and integration of artificial intelligence <\/strong> as an invisible infrastructure of the experience.
At a market level, the numbers confirm the centrality: 106 brands from 17 countries <\/strong> . <\/p>\n What to expect (from a design perspective): <\/p>\n
\n- \n
surfaces and materials designed for performance, maintenance, tactility; <\/p>\n<\/li>\n
- \n
integrated and less exhibited technologies (\u0093calm\u0094 interfaces); <\/p>\n<\/li>\n
- \n
household appliances as platforms (data, automation, efficiency). <\/p>\n<\/li>\n<\/ul>\n
International Bathroom Exhibition 2026: the home spa becomes a high standard <\/h3>\n
![\"Collezione](\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/01\/des-evolution-collezione-bagno.jpg\")
<\/p>\n
In parallel, the Salone del Bagno <\/strong> pushes on the idea of advanced well-being: comfort, water efficiency, calibrated light, discreet smart devices and an increasingly sensorial materiality. The announced brands are 163 from 14 countries <\/strong> . <\/p>\n Here the key word is not “luxury” in the decorative sense, but longevity <\/strong>: solutions that work on durability, ergonomics, ease of use, waste reduction, air and water quality. <\/p>\n A Luxury Way and \u0093Aurea\u0094: when luxury becomes a spatial story <\/h2>\n
![\"salone](\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/01\/salone-del-mobile-2026-A-Luxury-Way.jpg\")
<\/p>\n
Along the route A Luxury Way <\/strong> (pavilions 13\u009615) Aurea takes shape. An Architectural Fiction <\/strong>, immersive installation created by Maison Num\u00e9ro 20 <\/strong>: an “imaginary hotel” built as a sequence of narrative spaces, between art deco suggestions, cinematographic references and attention to sustainabilityity. <\/p>\n The interesting fact here is methodological: luxury is treated as a script <\/strong> . It doesn’t just show objects, but builds a grammar of experience (rhythm, light, pauses, thresholds), also useful to those who design hospitality and high-end residences: because it talks about perception, not just style. <\/p>\n Towards Salone Contract: from the product to the system (the biggest game) <\/h2>\n
Another novelty, destined to become central in 2027, is the Salone Contract <\/strong> project, with Masterplan entrusted to Rem Koolhaas and David Gianotten (OMA) <\/strong> .
The thesis is clear: in rapidly growing sectors – hospitality, retail, real estate, marine <\/strong> – the value shifts from the single product to the ability to offer integrated solutions <\/strong>: systems, skills, services, specifications, times, logistics, assistance, performance. <\/p>\n Thematic itineraries <\/strong> and moments of in-depth analysis will begin to appear as early as 2026, including a lectio magistralis <\/strong> by Koolhaas. <\/p>\n Critical reading (useful to companies): <\/strong> \u0093contract\u0094 is not a commercial label. It is a change in maturity: it asks design to speak the language of complexity (regulations, maintenance, durability, impact, supply chain), without losing identity. Those who manage to do this enter into projects that are not measured in pieces sold, but in long-term relationships. <\/p>\n Wayfinding, countryside and sustainability: matter as a common thread <\/h2>\n
In terms of the visitor experience, the Show declares a concrete investment in the orientation and readability of the fair: a new wayfinding system <\/strong> developed by Leftloft <\/strong>, designed to simplify routes and make navigation between pavilions and contents clearer. <\/p>\n Holding the narrative together is the \u0093A Matter of Salone\u0094 <\/strong> campaign, which puts the matter <\/strong> back at the center as the origin of the project: from gesture to form, and from form to meaning. <\/p>\n And on the sustainability front, the renewal of the ISO 20121 certification <\/strong> for the sustainable management of events (three-year period 2026\u00962028) is announced, with an approach that brings materials, processes and supply chains into a more circular and measurable logic. <\/p>\n SaloneSatellite 2026: \u0093Skilled Craftsmanship + Innovation\u0094 <\/h2>\n
![\"SaloneSatellite](\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/01\/SaloneSatellite-2026-Skilled-Craftsmanship-Innovation.jpg\")
<\/p>\n
Completes the picture SaloneSatellite <\/strong> , with 700 designers under 35 <\/strong> from 43 countries <\/strong> and the presence of 23 international schools and universities <\/strong> .
The 2026 theme is \u0093Skilled Craftsmanship + Innovation\u0094 <\/strong>: craftsmanship as a contemporary device, capable of communicating with technology and industry without losing expressive intensity. <\/p>\n Here it is worth being clear: craftsmanship does not come back as a “style”. It returns as strategic competence <\/strong> . In a market saturated with images, the difference is often what you feel in your hands: joints, textures, precision, weight, finishes. It is a quality that is not easily imitated, and for this reason it becomes a competitive advantage. <\/p>\n An increasingly international exhibition (and hybrid between design and art) <\/h2>\n
The press conference insisted anthan on international work: roadshows in Europe and new directions on strategic markets (USA, India, Middle East), with a collaboration started with Art Basel <\/strong> and the aim of strengthening the presence of Italian design in contexts where contamination with art is now part of the market. <\/p>\n It is a piece consistent with Raritas: the Salon is not “imitating” art, but is recognizing that design today moves on multiple levels of value (industrial, cultural, collecting) and that these levels coexist in the same ecosystem. <\/p>\n
What it means for those who visit (designers, companies, buyers): 5 practical take-aways <\/h2>\n\n- \n
Go with a question, not with a list <\/strong>: Raritas, Contract and Biennali ask for a “curated” visit, not just a panoramic one. <\/p>\n<\/li>\n- \n
Reading the kitchen as a technology of living <\/strong>: it is no longer just layout, but the relationship between data, energy, materials and rituals. <\/p>\n<\/li>\n- \n
In the bathroom look for silent quality <\/strong>: comfort, efficiency, light and maintenance are the new luxury. <\/p>\n<\/li>\n- \n
For companies: prepare for the contract as a system <\/strong> (specifications, times, assistance, measurable sustainability). <\/p>\n<\/li>\n- \n
For designers: craftsmanship = future <\/strong> if it becomes a method (prototyping, supply chains, hybridization with technology). <\/p>\n<\/li>\n<\/ol>\n
\n When does the Salone del Mobile 2026 take place? <\/strong>
From 21 to 26 April 2026 <\/strong> at Fiera Milano Rho <\/strong> . <\/p>\n What is the main news of the Salone del Mobile 2026? <\/strong>
The debut of Salone Raritas <\/strong>, a platform dedicated to collectible design <\/strong>, curated by Annalisa Rosso with exhibition design by Formafantasma. <\/p>\n Will EuroCucina and Salone del Bagno return in 2026? <\/strong>
Yes: the Biennials EuroCucina\/FTK <\/strong> and International Bathroom Exhibition <\/strong> are back. <\/p>\n What is Salone Contract? <\/strong>
It is a strategic project that will lead to the debut of a new plant dedicated to contract (hospitality, retail, real estate, marine) in 2027, with the Masterplan entrusted to OMA (Koolhaas\/Gianotten) <\/strong> ; Dedicated paths and content will begin in 2026. <\/p>\n What is the theme of SaloneSatellite 2026? <\/strong>
\u0093 Skilled Craftsmanship + Innovation <\/strong> \u0094, with focus on the dialogue between craftsmanship and innovation. <\/p>\n How many exhibitors are expected at the Salone del Mobile 2026? <\/strong>
Over 1,900 exhibitors <\/strong> from 32 countries <\/strong> , with a net exhibition area of ??over 169,000 m2 <\/strong> . <\/p>\n","protected":false},"excerpt":{"rendered":"The 64th edition of the Salone del Mobile.Milano presents itself as a change of pace that is more strategic than scenographic: less of an “event within an event”, more of a cultural infrastructure and market platform. At the presentation press conference – followed today by our editorial team – the direction was clear: broaden the …<\/p>\n","protected":false},"author":8,"featured_media":15316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[343],"tags":[],"class_list":["post-11521","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eventi","has-thumb","has-featured"],"yoast_head":"\n
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![\"Salone](\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/11\/Salone-Raritas-2026-il-nuovo-percorso-del-Salone-del-Mobile-dedicato-al-design-da-collezione-e-alle-edizioni-limitate.jpg\")
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