{"id":11703,"date":"2025-12-03T08:00:00","date_gmt":"2025-12-03T07:00:00","guid":{"rendered":"https:\/\/www.archieinteriors.com\/iconic-designer-mirrors-the-most-beautiful-models-to-know-and-to-desire\/"},"modified":"2025-12-03T07:00:00","modified_gmt":"2025-12-03T06:00:00","slug":"iconic-designer-mirrors-the-most-beautiful-models-to-know-and-to-desire","status":"publish","type":"post","link":"https:\/\/www.archieinteriors.com\/en\/iconic-designer-mirrors-the-most-beautiful-models-to-know-and-to-desire\/","title":{"rendered":"Iconic designer mirrors: the most beautiful models to know (and to desire)"},"content":{"rendered":"<p data-start=\"309\" data-end=\"680\"> In every era, the mirror has played a central role in the history of living. More than a simple functional object, it reflects the identity of a space, amplifies its light, defines its perception. In the hands of designers, artists and architects, the mirror transforms from a reflective surface to <strong data-start=\"610\" data-end=\"629\"> symbolic form <\/strong> , <strong data-start=\"631\" data-end=\"653\"> sculptural element <\/strong> , <strong data-start=\"655\" data-end=\"679\"> visual installation <\/strong> . <\/p>\n<p data-start=\"682\" data-end=\"900\"> From the baroque to the masters of modernism, from the radical experiments of the 70s to contemporary brands of Nordic and international design, the <strong data-start=\"830\" data-end=\"868\"> mirror has become a language <\/strong> . And it never stops evolving. <\/p>\n<p data-start=\"682\" data-end=\"900\"> Today we take you on a virtual journey to discover <strong data-start=\"955\" data-end=\"983\"> famous and iconic mirrors <\/strong>, designed by big names in design and visual culture. Some entered museums, others into the finest homes. They all tell a story: of research, innovation, style. <\/p>\n<h2 data-start=\"272\" data-end=\"358\"> <strong data-start=\"275\" data-end=\"358\"> Great classics of the twentieth century: the mirrors that made the history of design <\/strong> <\/h2>\n<h3 data-start=\"360\" data-end=\"410\"> <strong data-start=\"364\" data-end=\"408\"> Ultrafragola \u0096 Ettore Sottsass, Poltronova (1970) <\/strong> <\/h3>\n<p> <img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-5682\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchi-iconici-di-design-Ultrafragola-Ettore-Sottsass-POLTRONOVA.jpg\" alt=\"Specchi iconici di design - Ultrafragola Ettore Sottsass POLTRONOVA\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchi-iconici-di-design-Ultrafragola-Ettore-Sottsass-POLTRONOVA.jpg 1200w, https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchi-iconici-di-design-Ultrafragola-Ettore-Sottsass-POLTRONOVA-300x200.jpg 300w, https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchi-iconici-di-design-Ultrafragola-Ettore-Sottsass-POLTRONOVA-1024x683.jpg 1024w, https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchi-iconici-di-design-Ultrafragola-Ettore-Sottsass-POLTRONOVA-768x512.jpg 768w, https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchi-iconici-di-design-Ultrafragola-Ettore-Sottsass-POLTRONOVA-370x247.jpg 370w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/> <\/p>\n<p data-start=\"411\" data-end=\"897\"> The mirror <strong data-start=\"423\" data-end=\"439\"> Ultrafragola <\/strong> is an absolute icon of Italian design. Designed by <strong data-start=\"494\" data-end=\"513\"> Ettore Sottsass <\/strong> in 1970 for <strong data-start=\"527\" data-end=\"541\"> Poltronova <\/strong>, it was born as part of the <em data-start=\"572\" data-end=\"586\"> Mobili Grigi <\/em> series, but it is the only piece to have actually been produced. <br data-start=\"647\" data-end=\"650\" \/> The sinuous frame in <strong data-start=\"672\" data-end=\"707\"> thermoformed plastic material <\/strong> and the pink backlighting make it a luminous and sensual sculpture. The design is inspired by the female figure and the waves of long hair: a mix of irony, sensuality and avant-garde. <\/p>\n<p data-start=\"899\" data-end=\"1101\"> Today it is one of the most photographed and desired mirrors in the world of interior design and contemporary art, which has become a symbol of visual culture also for its pop and Instagram-friendly aesthetics. <\/p>\n<h3 data-start=\"87\" data-end=\"148\"> <strong data-start=\"87\" data-end=\"146\"> Caadre mirrors \u0096 Philippe Starck for Fiam Italia (1998) <\/strong> <\/h3>\n<p> <img decoding=\"async\" class=\"alignnone size-full wp-image-5909\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchi-Caadre-\u0096-Philippe-Starck-per-Fiam-Italia-1998.jpg\" alt=\"Specchi Caadre \u0096 Philippe Starck per Fiam Italia (1998)\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"150\" data-end=\"461\"> When in 1998 Philippe Starck designed for <strong data-start=\"194\" data-end=\"209\"> Fiam Italia <\/strong> the mirror <em data-start=\"222\" data-end=\"230\"> Caadre <\/em>, he introduced a new idea of domestic monumentality. Made of curved glass, a material that has always represented the DNA of the Marche company, <em data-start=\"383\" data-end=\"391\"> Caadre <\/em> is at the same time a reflective surface and architectural sculpture. <\/p>\n<p data-start=\"463\" data-end=\"861\"> Its extralight glass frame, ground and shaped with innovative techniques, creates a depth effect that transforms the mirror into a visual portal, capable of expanding the space and communicating with the surrounding environment. Available in different sizes, including large formats, it has become a recognized icon of international design, present in private residences, hotels and galleries. <\/p>\n<p data-start=\"863\" data-end=\"1052\"> With <em data-start=\"867\" data-end=\"875\"> Caadre <\/em>, Fiam Italia confirms its vocation for artisanal and technological excellence, demonstrating how a fragile material like glass can become a monument, story and poetry. <\/p>\n<h3 data-start=\"1108\" data-end=\"1148\"> <strong data-start=\"1712\" data-end=\"1759\"> Adnet Circulaire \u0096 Jacques Adnet (1950s) <\/strong> <\/h3>\n<p> <img decoding=\"async\" class=\"alignnone size-full wp-image-5684\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchi-iconici-di-design-Adnet-Circulaire-\u0096-Jacques-Adnet-.jpg\" alt=\"Specchi iconici di design - Adnet Circulaire \u0096 Jacques Adnet\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"1762\" data-end=\"1999\"> In the 1950s, the French designer <strong data-start=\"1799\" data-end=\"1816\"> Jacques Adnet <\/strong> \u0097 known for his collaboration with <strong data-start=\"1854\" data-end=\"1864\"> Herm\u00e8s <\/strong> \u0097 designed a series of mirrors in <strong data-start=\"1900\" data-end=\"1917\"> glass and leather <\/strong> with brass details, which became a symbol of refined and timeless elegance. <\/p>\n<p data-start=\"2001\" data-end=\"2282\"> The <strong data-start=\"2012\" data-end=\"2026\"> Circulaire <\/strong> model, round with leather frameio sewn and adjustable strap, is now reissued by <strong data-start=\"2108\" data-end=\"2116\"> Gubi <\/strong> and much appreciated for its versatility: it adapts perfectly to classic, industrial or contemporary interiors, always maintaining a sober and distinct presence. <\/p>\n<h3 data-start=\"2289\" data-end=\"2344\"> <strong data-start=\"2293\" data-end=\"2342\"> Adnet Rectangulaire \u0096 Jacques Adnet \/ Gubi <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5877\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Adnet-Rectangulaire-\u0096-Jacques-Adnet-Gubi.jpg\" alt=\"Adnet Rectangulaire \u0096 Jacques Adnet Gubi\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"2345\" data-end=\"2684\"> In addition to the round model, Adnet also designed a <strong data-start=\"2405\" data-end=\"2421\"> rectangular version <\/strong>, with the same attention to materials: hand-worked leather, visible stitching, brass-plated metal details. <br data-start=\"2528\" data-end=\"2531\" \/> Also in this case, the re-edition curated by <strong data-start=\"2577\" data-end=\"2585\"> Gubi <\/strong> keeps the beauty of the original intact, updating it to the needs of modern furnishings. <\/p>\n<p data-start=\"2686\" data-end=\"2801\"> It is particularly loved in environments with a masculine taste, professional offices, boutique hotels and elegant living areas. <\/p>\n<h3 data-start=\"2808\" data-end=\"2866\"> <strong data-start=\"2812\" data-end=\"2864\"> F.A.33 \u0096 Gio Ponti (1933) \/ Gubi (re-release) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5878\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/F.A.33-\u0096-Gio-Ponti-1933-Gubi-riedizione-specchi-iconici-di-design.jpg\" alt=\"F.A.33 \u0096 Gio Ponti (1933) Gubi (riedizione) specchi iconici di design\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"2867\" data-end=\"3151\"> One of the most iconic mirrors in Italian design, the <strong data-start=\"2921\" data-end=\"2931\"> F.A.33 <\/strong> was designed by <strong data-start=\"2948\" data-end=\"2961\"> Gio Ponti <\/strong> in 1933 for <strong data-start=\"2975\" data-end=\"2990\"> FontanaArte <\/strong> . Characterized by a rectangular shape with rounded corners and a thin frame in <strong data-start=\"3074\" data-end=\"3104\"> polished brass or matt black <\/strong>, it has been re-proposed by <strong data-start=\"3128\" data-end=\"3136\"> Gubi <\/strong> in two sizes. <\/p>\n<p data-start=\"3153\" data-end=\"3353\"> Simple, elegant, proportionate, it is perfect for those looking for a refined object, capable of reflecting light and style with discretion. It is widely used in high-end residential and hospitality projects. <\/p>\n<h3 data-start=\"3360\" data-end=\"3428\"> <strong data-start=\"3364\" data-end=\"3426\"> Mirror Painting \u0096 Michelangelo Pistoletto (from 1962) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5880\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Quadro-Specchiante-\u0096-Michelangelo-Pistoletto-specchi-iconici-di-design.jpg\" alt=\"Quadro Specchiante \u0096 Michelangelo Pistoletto specchi iconici di design\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"3429\" data-end=\"3710\"> It is not a furnishing mirror, but it cannot be missing among the great classics. The <strong data-start=\"3502\" data-end=\"3524\"> mirror paintings <\/strong> of <strong data-start=\"3528\" data-end=\"3555\"> Michelangelo Pistoletto <\/strong> are among the most revolutionary works of the twentieth century: figures silk-screened on mirrored stainless steel plates, where the observer becomes part of the work. <\/p>\n<p data-start=\"3712\" data-end=\"3987\"> They are collector&#8217;s items, exhibited in the main museums of the world (from MoMA to Tate), and have forever changed the way of conceiving the relationship between space, image and identity. <br data-start=\"3895\" data-end=\"3898\" \/> A bridge between art, design and architecture, which still dialogues with contemporaneity today. <\/p>\n<h2 data-start=\"359\" data-end=\"425\"> <strong data-start=\"362\" data-end=\"425\"> Contemporary and cult: the mirrors that set trends today <\/strong> <\/h2>\n<h3 data-start=\"427\" data-end=\"472\"> <strong data-start=\"431\" data-end=\"470\"> Pond Mirror \u0096 Ferm Living (2020) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5896\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Pond-Mirror-\u0096-Ferm-Living-specchi-iconici-di-design.jpg\" alt=\"Pond Mirror \u0096 Ferm Living specchi iconici di design\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"473\" data-end=\"751\"> With its soft and irregular curves inspired by water, the <strong data-start=\"534\" data-end=\"549\"> Pond Mirror <\/strong> is among the most photographed and appreciated contemporary mirrors of recent years. Designed by the Danish brand <strong data-start=\"657\" data-end=\"672\"> Ferm Living <\/strong>, it is available in different sizes and can be mounted in multiple orientations. <\/p>\n<p data-start=\"753\" data-end=\"949\"> Its organic aesthetic, combined with the thin metal profile, makes it perfect for <strong data-start=\"847\" data-end=\"863\"> soft minimal <\/strong> environments and interiors inspired by nature, but also for giving visual movement to rigorous walls. <\/p>\n<h3 data-start=\"956\" data-end=\"1006\"> <strong data-start=\"960\" data-end=\"1004\"> Vitrail \u0096 Inga Semp\u00e9 for Magis (2018) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5897\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Vitrail-\u0096-Inga-Sempe-per-Magis.jpg\" alt=\"Vitrail \u0096 Inga Semp\u00e9 per Magis\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"1007\" data-end=\"1216\"> Designed by the French <strong data-start=\"1032\" data-end=\"1046\"> Inga Semp\u00e9 <\/strong> , <strong data-start=\"1048\" data-end=\"1059\"> Vitrail <\/strong> is a collection of wall mirrors for <strong data-start=\"1102\" data-end=\"1111\"> Magis <\/strong> that combines <strong data-start=\"1124\" data-end=\"1168\"> transparent and colored mirror glass <\/strong> in elegant and playful geometric compositions. <\/p>\n<p data-start=\"1218\" data-end=\"1462\"> Available in different shapes (round, square, rectangular), it is inspired by the graphic effect of <strong data-start=\"1316\" data-end=\"1338\"> artistic stained glass windows <\/strong>. Vitrail is a brilliant example of narrative and accessible design: perfect for those who love to furnish with irony and intelligence. <\/p>\n<h3 data-start=\"1469\" data-end=\"1524\"> <strong data-start=\"1473\" data-end=\"1522\"> Mirror Palindrome \u0096 Ben &amp; Aja Blanc (2019) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5898\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Palindrome-Mirror-\u0096-Ben-Aja-Blanc-2019-specchi-di-design.jpg\" alt=\"Palindrome Mirror \u0096 Ben &amp; Aja Blanc (2019) specchi di design\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"1525\" data-end=\"1737\"> Created by the American duo <strong data-start=\"1550\" data-end=\"1569\"> Ben &amp; Aja Blanc <\/strong> , the <strong data-start=\"1574\" data-end=\"1597\"> Palindrome mirror <\/strong> stands out for its <strong data-start=\"1635\" data-end=\"1662\"> asymmetrical and sculptural composition <\/strong> , where free-form mirrors are combined with details in <strong data-start=\"1719\" data-end=\"1736\"> polished brass <\/strong> . <\/p>\n<p data-start=\"1739\" data-end=\"1954\"> Each piece is handcrafted in a limited edition and often chosen for high-end interiors, galleries and boutique hotels. It is the emblem of the new American art design: functional, but also visual, poetic, distinctive. <\/p>\n<h3 data-start=\"1961\" data-end=\"2027\"> <strong data-start=\"1965\" data-end=\"2025\"> Mirage Mirror \u0096 Kr\u00f8yer-S\u00e6tter-Lassen for Menu (2020) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5899\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Mirage-Mirror-\u0096-Kroyer-Saetter-Lassen-per-Menu-2020.jpg\" alt=\"Mirage Mirror \u0096 Kr\u00f8yer-S\u00e6tter-Lassen per Menu (2020)\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"2028\" data-end=\"2295\"> The Danish studio <strong data-start=\"2045\" data-end=\"2069\"> Kr\u00f8yer-S\u00e6tter-Lassen <\/strong> designed for <strong data-start=\"2087\" data-end=\"2095\"> Menu <\/strong> a mirror that combines <strong data-start=\"2120\" data-end=\"2163\"> industrial lines and minimalist poetics <\/strong> . The <strong data-start=\"2168\" data-end=\"2185\"> Mirage Mirror <\/strong> stands out for its bronzed or smoked mirror glass and for the dark edge which creates a subtle shadow effect. <\/p>\n<p data-start=\"2297\" data-end=\"2509\"> It is widely used in contemporary Scandinavian interiors, particularly in dining rooms and bedrooms, where it acts as an elegant and discreet element, capable of adding depth without dominating the space. <\/p>\n<h3 data-start=\"2516\" data-end=\"2570\"> <strong data-start=\"2520\" data-end=\"2568\"> Arch Mirror \u0096 Kristina Dam Studio (2022) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5902\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Arch-Mirror-\u0096-Kristina-Dam-Studio-2022.jpg\" alt=\"Arch Mirror \u0096 Kristina Dam Studio (2022)\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"2571\" data-end=\"2841\"> The <strong data-start=\"2574\" data-end=\"2591\"> Arch mirror <\/strong> by <strong data-start=\"2595\" data-end=\"2611\"> Kristina Dam <\/strong>, a Danish studio known for its architectural approach to minimalism, reinterprets the classic arch in a sculptural key. Made with a painted steel or brass frame, it can be placed on the floor or mounted on the wall. <\/p>\n<p data-start=\"2843\" data-end=\"3088\"> Its formal language is essential, but at the same time imposing. Ideal for entrances, corridors or bedrooms, where you want to create an elegant and solid visual presence. A mirror that recalls architecture, rather than decoration. <\/p>\n<h3 data-start=\"3095\" data-end=\"3163\"> <strong data-start=\"3099\" data-end=\"3161\"> Blanche \u0096 the mirror \u0093Empire of the Senses\u0094 by Studiopepe for Visionnaire <\/strong> <\/h3>\n<p data-start=\"281\" data-end=\"610\"> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5907\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Blanche-\u0096-lo-specchio-Empire-of-the-Senses-by-Studiopepe-per-Visionnaire.jpg\" alt=\"Blanche \u0096 lo specchio \u0093Empire of the Senses\u0094 by Studiopepe per Visionnaire\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"165\" data-end=\"241\"> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"> An object that is much more than a mirror. Signed by the Milanese designers <strong data-start=\"76\" data-end=\"116\"> Arianna Lelli Mami and Chiara Di Pinto <\/strong> for Visionnaire, the <strong data-start=\"137\" data-end=\"150\"> \u0093Blanche\u0094 <\/strong> is part of the <strong data-start=\"177\" data-end=\"201\"> Empire of the Senses <\/strong> collection, presented during Design Week 2022 as a sensorial exploration between art and emotion. <\/span> <\/p>\n<p data-start=\"243\" data-end=\"396\"> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"> It is an oval wall mirror, characterized by a wooden frame completely covered in leather, embellished with decorative fringes that fold over two satin steel rings placed on the sides <\/span>.  <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"> The reflective surface is hidden by these fringes and is revealed only through a delicate gesture: moving them with the hand to access a &#8220;hidden&#8221; image, engraved by hand, depicting either a woman or the symbolism of a snake, engraved via sand blasting <\/span>. <\/p>\n<p data-start=\"398\" data-end=\"474\"> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"> It is not an aesthetic exercise as an end in itself, but an invitation to discovery, to touch, to the sense of mystery: <strong data-start=\"106\" data-end=\"140\"> a tactile and visual experience <\/strong> , a meeting between contemporary design and emotional narration <\/span> . <\/p>\n<p data-start=\"476\" data-end=\"556\"> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"> \u0093Blanche\u0094 is a clear example of Studiopepe&#8217;s ability to weave <strong data-start=\"74\" data-end=\"112\"> symbolism, anticonic and contemporary <\/strong> , transforming a common object into a <strong data-start=\"151\" data-end=\"173\"> sensorial ritual <\/strong> , in balance between art, design and psychology of space <\/span> <\/p>\n<h2 data-start=\"328\" data-end=\"395\"> <strong data-start=\"331\" data-end=\"395\"> Collectible mirrors: rare, poetic, unforgettable designs <\/strong> <\/h2>\n<h3 data-start=\"148\" data-end=\"230\"> <strong data-start=\"152\" data-end=\"228\"> Mirror mirror \u0093Mod. 1699\u0094 \u0096 Max Ingrand for FontanaArte (1960s) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5912\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Specchio-a-specchio-Mod.-1699-\u0096-Max-Ingrand-per-FontanaArte-anni-60.jpg\" alt=\"Specchio a specchio \u0093Mod. 1699\u0094 \u0096 Max Ingrand per FontanaArte (anni \u009260)\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"231\" data-end=\"306\"> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"> An emblematic piece of high glass craftsmanship. This round mirror, designed by Max Ingrand and produced by FontanaArte, incorporates a smoky colored glass and brass frame, typical of mid-century glamour. A highly coveted item, it often appears at auctions and among vintage design collectors. <\/span> <\/p>\n<h3 data-start=\"308\" data-end=\"371\"> <strong data-start=\"312\" data-end=\"369\"> \u0093Round-Round 160\u0094 \u0096 Nanda Vigo for Glas Italia (1987) <\/strong> <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5913\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/SPECCHIO-DI-DESIGN-Round-Round-160.jpg\" alt=\"SPECCHIO DI DESIGN Round-Round 160\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/SPECCHIO-DI-DESIGN-Round-Round-160.jpg 1200w, https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/SPECCHIO-DI-DESIGN-Round-Round-160-300x200.jpg 300w, https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/SPECCHIO-DI-DESIGN-Round-Round-160-1024x683.jpg 1024w, https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/SPECCHIO-DI-DESIGN-Round-Round-160-768x512.jpg 768w, https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/SPECCHIO-DI-DESIGN-Round-Round-160-370x247.jpg 370w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/> <\/p>\n<p data-start=\"372\" data-end=\"447\"> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"> A visual and material experimentation: wall mirror in molded glass with satin\/cut areas that alternate reflections and transparencies. Designed by Nanda Vigo, it represents one of his most recognized works, today republished and the subject of research in art design collections. <\/span> <\/p>\n<h3 data-start=\"215\" data-end=\"266\"> Andromeda \u0096 Nanda Vigo for Glas Italia (1974) <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5919\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/andromeda-\u0096-nanda-vigo-per-glas-italia.jpg\" alt=\"andromeda \u0096 nanda vigo per glas italia\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"267\" data-end=\"589\"> A visionary example of abstractionism in glass. Nanda Vigo conceives a suspended composition of transparent and reflective mirrors, modular and adjustable, which redefines the space and the very perception of the environment. Each reflection becomes visual narration, in a work that seems to fluctuate between art and architecture. <\/p>\n<h3 data-start=\"591\" data-end=\"631\"> Bavaria Mirror \u0096 Studio Job (2008) <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5920\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Bavaria-Mirror-\u0096-Studio-Job-2008.jpg\" alt=\"Bavaria Mirror \u0096 Studio Job (2008)\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"632\" data-end=\"923\"> An iconoclastic homage to the Bavarian tradition, revisited with pop illustrations and graphic symmetries. Presented at Design Miami, this mirror with opening panels is conceived as a small &#8220;sacred house&#8221; of contemporary design, where provocation meets artistic craftsmanship. <\/p>\n<h3 data-start=\"925\" data-end=\"973\"> Miraggio \u0096 Estudio Campana for Edra (2009) <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5921\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Miraggio-\u0096-Estudio-Campana-per-Edra-2009-specchi-di-design.jpg\" alt=\"Miraggio \u0096 Estudio Campana per Edra (2009) specchi di design\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"974\" data-end=\"1263\"> A vibrant mosaic of mirrored methacrylate modules, joined with nylon ties. The Campana brothers transform &#8220;poor&#8221; materials into an artisanal jewel, full of playful and visionary energy. More than a mirror, it is a residential sculpture that fragments and multiplies space. <\/p>\n<h3 data-start=\"1265\" data-end=\"1297\"> Rondo \u0096 Oskar Zieta (2014) <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5922\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Rondo-\u0096-Oskar-Zieta-2014.jpg\" alt=\"Rondo \u0096 Oskar Zieta (2014)\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"1298\" data-end=\"1577\"> Created through FiDU technology, which inflates welded metal plates, Rondo has a monumental, fluid and organic profile. Its circular, doughnut-like shape is at once sculpture, reflection and architecture: bold, powerful and surprisingly welcoming. <\/p>\n<h3 data-start=\"1579\" data-end=\"1622\"> Obsidian Mirror \u0096 Studio Drift (2014) <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5923\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Obsidian-Mirror-\u0096-Studio-Drift-2014-specchio-di-design.jpg\" alt=\"Obsidian Mirror \u0096 Studio Drift (2014) specchio di design\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"1623\" data-end=\"1914\"> A work that combines ethics and aesthetics. Made of synthetic obsidian, derived from the reuse of industrial waste, it breaks the pattern of the smooth and perfect mirror. Imperfect and material, it gives the design an almost geological dimension, bringing the material back to its authenticity. <\/p>\n<h3 data-start=\"1916\" data-end=\"1972\"> Shimmer \u0096 Patricia Urquiola for Glas Italia (2014) <\/h3>\n<p> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5924\" src=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2025\/08\/Shimmer-\u0096-Patricia-Urquiola-per-Glas-Italia-specchio.jpg\" alt=\"Shimmer \u0096 Patricia Urquiola per Glas Italia specchio\" width=\"1200\" height=\"800\" \/> <\/p>\n<p data-start=\"1973\" data-end=\"2212\"> Mirror with iridescent shades, which change color depending on the light and the angle. Patricia Urquiola signs a poetic and contemporary object, where the boundary between function and art dissolves in a kaleidoscope of reflections. <\/p>\n<h2 data-start=\"146\" data-end=\"210\"> <strong data-start=\"149\" data-end=\"210\"> the mirror as vision, culture and project <\/strong> <\/h2>\n<p data-start=\"212\" data-end=\"433\"> During this journeythru <strong data-start=\"244\" data-end=\"281\"> shapes, materials, ideas and reflections <\/strong> , we have crossed almost a century of design history through one of the most fascinating and symbolic objects of furniture: the <strong data-start=\"420\" data-end=\"432\"> mirror <\/strong> . <\/p>\n<p data-start=\"435\" data-end=\"686\"> From a simple functional tool to <strong data-start=\"470\" data-end=\"497\"> a manifestation of style <\/strong>, the mirror has been able to reinvent itself in every era. Some models have become icons; others &#8211; rarer, conceptual, poetic &#8211; have entered the lexicon of art and experimentation. <\/p>\n<p data-start=\"688\" data-end=\"1008\"> There are those who use it to <strong data-start=\"707\" data-end=\"730\"> amplify light <\/strong>, some to give depth to spaces, some to <strong data-start=\"776\" data-end=\"802\"> communicate an identity <\/strong>, some to <strong data-start=\"812\" data-end=\"840\"> disturb perception <\/strong>, some to create a dialogue between space and presence. In any case, the mirror is always a <strong data-start=\"930\" data-end=\"963\"> powerful design tool <\/strong>, capable of transforming environments and atmospheres. <\/p>\n<h3 data-start=\"1010\" data-end=\"1055\"> What do design mirrors teach us? <\/h3>\n<ul data-start=\"1056\" data-end=\"1306\">\n<li data-start=\"1056\" data-end=\"1142\">\n<p data-start=\"1058\" data-end=\"1142\"> That even the most everyday objects can contain <strong data-start=\"1113\" data-end=\"1141\"> extraordinary narratives <\/strong> . <\/p>\n<\/li>\n<li data-start=\"1143\" data-end=\"1208\">\n<p data-start=\"1145\" data-end=\"1208\"> That function does not exclude <strong data-start=\"1175\" data-end=\"1191\"> expressiveness <\/strong>, nor beauty. <\/p>\n<\/li>\n<li data-start=\"1209\" data-end=\"1306\">\n<p data-start=\"1211\" data-end=\"1306\"> That <strong data-start=\"1215\" data-end=\"1246\"> design, art and architecture <\/strong> are often one and the same thing, reflected from different perspectives. <\/p>\n<\/li>\n<\/ul>\n<p data-start=\"1308\" data-end=\"1598\"> Selecting a mirror does not simply mean &#8220;furnishing&#8221;, but <strong data-start=\"1376\" data-end=\"1398\"> choosing a gesture <\/strong>, a signature, an idea. <br data-start=\"1419\" data-end=\"1422\" \/> Whether it is a twentieth-century classic or an experimental collector&#8217;s item, each mirror is a threshold &#8211; between inside and outside, between self and other, between presence and representation. <\/p>\n<p data-start=\"1605\" data-end=\"1753\"> <strong data-start=\"1608\" data-end=\"1753\"> And you, which mirror would you take home? The one that best reflects yourself or the one that pushes you to see things from another perspective? <\/strong> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>In every era, the mirror has played a central role in the history of living. More than a simple functional object, it reflects the identity of a space, amplifies its light, defines its perception. In the hands of designers, artists and architects, the mirror transforms from a reflective surface to symbolic form , sculptural element &hellip;<\/p>\n","protected":false},"author":10,"featured_media":12977,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[338,341],"tags":[],"class_list":["post-11703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-complementi-darredo","category-design","has-thumb","has-featured"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Iconic designer mirrors: the most beautiful models to know (and to desire) - Archi &amp; Interiors<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.archieinteriors.com\/en\/iconic-designer-mirrors-the-most-beautiful-models-to-know-and-to-desire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Iconic designer mirrors: the most beautiful models to know (and to desire) - Archi &amp; Interiors\" \/>\n<meta property=\"og:description\" content=\"In every era, the mirror has played a central role in the history of living. 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