{"id":11851,"date":"2026-05-07T09:47:10","date_gmt":"2026-05-07T07:47:10","guid":{"rendered":"https:\/\/www.archieinteriors.com\/?p=11851"},"modified":"2026-05-07T09:47:10","modified_gmt":"2026-05-07T07:47:10","slug":"nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors","status":"publish","type":"post","link":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/","title":{"rendered":"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors"},"content":{"rendered":"

In the world of carpet, there has always been a fascinating point of friction: the meeting between East and West. For decades, in designer interiors, this story almost inevitably passed through the ancient carpet – especially the Persian one – guardian of a silent quality, of a “natural” prestige, of an aesthetic grammar that needed no explanation. Today, however, that scenario is no longer the only possible one. The contemporary has learned to contaminate itself: it has taken manufacturing wisdom and put it in dialogue with research, with designers, with the very idea of ??the carpet as a design surface. And so the carpet stops being a simple decorative element and becomes a work to be inhabited: material, story, cultural gesture. <\/p>\n

It is in this passage that Nodus Rug <\/strong> <\/a> is placed, the brand that has contributed to redefining the concept of luxury carpet by transforming the traditional archetype into a contemporary language, often bordering on the art carpet and the collectible <\/em> . A project born from the intuition of Andrea Galimberti <\/strong>, who chose to combine the vision of the most important Italian and international designers with the expertise of selected Asian manufacturers, building a controlled supply chain and a repertoire of pieces capable of lasting – and, over time, enhancing themselves. <\/p>\n

We met him and he accompanied us into this universe: a world made of rigorously chosen materials, of techniques and times that cannot be improvised, of experiments that transform the carpet into a design statement. But above all a world of stories: because in Nodus each carpet is not created just to be in a space, but to tell about it. <\/p>\n

Nodus Rug was born in 2009: what is the founding intuition that transforms the carpet from a decorative object to a cultural and design gesture? <\/h2>\n

The intuition was born from a clear choice: to build an international network of designers and ask them to rethink the carpet as a language of the contemporary, not as a simple complement. At the beginning there was no rigid brief or immediate commercial objective: there was one essential question \u0097 \u0093what is a carpet for you?\u0094 <\/em> \u0097 and the desire to leave total expressive freedom.<\/p>\n

From this approach was born a first deliberately authorial collection, even “uncomfortable” for those looking only for d\u00e9cor: the idea was to take the carpet out of the aesthetic routine and push it towards a design, and in some cases even artistic, dimension.<\/p>\n

The project grows in the meeting between worlds: East and West, manufacturing and research. Over time, Nodus Rug consolidates itself in the territory of the art carpet and collectible <\/em> – therefore collectible and re-saleable – with a value destined, for us, to also grow culturally.<\/p>\n

The research has always been concrete and radical: pierced and burned carpets, experiments on metals, techniques developed ad hoc, narrative additions such as sewn elements, projects linked to Fairtrade. And alongside this creative drive, a non-negotiable pillar: respect for manufacturing and social responsibility – attention to supply chains, lasting relationships, real recognition of artisan work.<\/p>\n

Over the years this attitude has also become “laboratory” expertise: custom, consultancy on techniques and performance, tailor-made solutions, study of natural dyes based onplant pigments. In summary: a research born out of passion, which became a business without losing the study as the matrix of the result.<\/p>\n

In these fifteen years you have contributed to transforming the carpet from a decorative element to a design element. How has Nodus Rug impacted this cultural shift? <\/h2>\n

We have intercepted a very specific void: the contemporary carpet for the prestigious home. For decades, in the “beautiful homes”, the natural reference was ancient Persian. We understood that, in a contemporary key, an alternative capable of truly holding up to that comparison was missing – and we worked to build it.<\/p>\n

It was not an “easy” choice in the short term: if you only look at the business, it may seem disadvantageous. But it created an enormous leverage effect for the brand: identity, prestige, international recognition. And that expertise inevitably opens many doors even in the most complex projects.<\/p>\n

Today the carpet remains central in the interior, but it is increasingly part of the design: it is not just the search for an antique piece, it is designing or customizing patterns, choosing materials, technique and color so that it becomes coherent with a high-level project.<\/p>\n

Over time we have also developed more “democratic” alternatives: reducing the density, but preserving the warp and weft, therefore maintaining the knot and high craftsmanship quality. Not everyone can invest 20 or 30 thousand euros; many want a large, well-made carpet by spending 2 or 3 thousand.<\/p>\n

Let’s not talk about the 300 euro range of carpets: they exist, and it’s fine that they exist, but often there you find unsustainable techniques or quality that is simply something else (printed, mechanical, very small piles and minimal weights). It’s not our land.<\/p>\n

We also continue research into materials: metals, fine wools (Himalaya, New Zealand), different silks, up to vegetable silks. We recently discovered banana silk, obtained from foliage: what in some contexts was “waste” today becomes a resource and income, and is a thick, shiny, eco-sustainable fibre. And then hemp, nettle, camel wool, yak.<\/p>\n

Finally, there is cultural contamination: Western thought and Eastern manufacturing very distant from our sensitivity. The technical differences between areas \u0097 Tibet, Nepal, India \u0097 really impact the outcome, if you know them. Nodus Rug remains a “little pearl”: despite having a broader core business linked to interiors and tailor-made, this section is valuable to us.<\/p>\n

If you had to choose a rug or an iconic collection capable of truly representing Nodus Rug, what name would you choose? <\/h2>\n

I am very attached to Circus <\/strong>, the carpet by the Campana Brothers <\/strong>: an irregular hemp round, hand-knotted in Nepal, with 76 sewn rag dolls. It is a piece that comes from a deliberately complex and human supply chain: the dolls are handmade in a remote village in Brazil inhabited by women with a difficult past; we buy them, import them into Europe and then ship them to Nepal, where they are integrated into the carpet.<\/p>\n

Circus remains a “livable” object – you can step on it, roll it up, use it – but it is also a work: a theatrical piece, open to personal reading. There was also a second release, from green to blue, ideally linked to social themes (migrants, Black Lives Matter), without ever transforming the cause into marketing.<\/p>\n

Then there are projects with a strong identity: with Studio Job<\/strong> we won the ELLE DECOR International Design Awards <\/strong> with Paris Persian <\/strong>, a reinterpretation of the traditional Persian carpet that inserts skeletons of extinct animals: a piece of extreme quality, for super-collectors, with millions of knots and about a year of workmanship.<\/p>\n

Each carpet carries a precise story: I think of Day by Day <\/strong> by Mischer’Traxler <\/strong>, with the leather label showing the names of the artisans and the chromatic trace of the days of work, almost an infographic of time. Or to Migration <\/strong> by Formafantasma <\/strong>, a triptych that reinvents techniques and embroidery, bordering on tapestry.<\/p>\n

And then pure experimentation: the lion by Aldo Baker <\/strong>, created by working on two looms to obtain a double definition and then sewing the parts; or “burnt” carpets, obtained with branding irons and repeated tests until the wool – self-extinguishing – gives off a tattoo effect.<\/p>\n

The point, for me, is this: to build an archive of the thoughts of the most important designers in the world and translate it into manufacturing, without fear of going further.<\/p>\n

You have collaborated with over 70 designers. What is the motivation that guides you in choosing a name: what requirements are you looking for, what is the logic of the selection? <\/h2>\n

I make the selection. I am looking for designers who I consider among the most important in the world for their ability, beauty and depth of the project. And let’s not think in clich\u00e9s: there are those who are extraordinary with light, those with objects, those with interiors. I am above all interested in provocation and contamination: asking even those who are far from decoration to measure themselves with the concept of contemporary textiles.<\/p>\n

We intercepted some of them very young, before the affirmation; others in maturity. The objective is to create a global expression of the artefact and of thought: we learn, we compare, we grow together with the projects.<\/p>\n

Then there is a specificity: there is often no direct contact between designer and manufacturing, because I act as an intermediary. A thought is born and we translate it into a project. It is a very delicate work of transposition: you can have the best idea in the world, but if it is interpreted badly, the result is lost. In our case, fortunately, it never happened.<\/p>\n

And perhaps we don’t tell each other enough: in person our gallery always surprises, because the real quality does not pass either on paper or on video. It must be seen and touched.<\/p>\n

Yours is a product that involves a supply chain spread across more than ten countries. How do you maintain quality and process control over such great distances? <\/h2>\n

Today it is possible, and it is thanks to daily contact: video calls, WhatsApp, images, short videos. Beyond a couple of inspections a year, it is the Internet that holds the process together. We also have agents in the area with whom the relationship is almost fraternal: I speak more English than Italian during the week.<\/p>\n

With some people we have been through everything: coups, earthquakes, floods. Over time we become “almost family”, and without that complicity it would be impossible. In the early years it was different: it happened that some weavers refused certain designs for religious reasons, or there were reliability problems regarding times and materials. Finding the right people was a very long job.<\/p>\n

And then there are the non-standard requests: very high carpets, holey or burnt carpets, dyeingand unusual, metallic threads (we had to have gloves specially made, otherwise they would cut their hands). I remember an almost undrawable \u0093pixel\u0094 pattern with Italo Rota <\/strong>: we printed large format billboards and sent them to Nepal to be used as a guide on the loom.<\/p>\n

Or carpets with 30, 40, 50 colors for a single piece, when historically it reaches 10\u009612. It’s a huge cultural leap even for those who weave: but if it helps to achieve the effect desired by the designer, we do it.<\/p>\n

In recent years the carpet has been increasingly present in the contract and hotel sectors. How do you support architects and interior designers in the development of complex projects? <\/h2>\n

First of all with renderings that precisely clarify which technique is best suited to the result you want to achieve. Then with fast prototyping: quick samples to see live, decide well and not slow down the project.<\/p>\n

And above all with global consultancy that brings together the real parameters of the contract: use of colour, choice of technique, durability, treatments and certifications – fireproof, stain-proof, antibacterial – up to the delivery times, which must respect the Gantt of a hotel or structure.<\/p>\n

At an operational level we have a solid organization: logistics, foreign office for documentation, exports and shipments by plane or ship, and when necessary also on-site installation. Coming from the international luxury contract, we transfer method and know-how to this product.<\/p>\n

Let’s talk about the markets: where do you operate, and how do you deal with different living cultures? <\/h2>\n

Europe and America are the main markets: it is where there is more culture and more possibility of closing sophisticated environments. Then there is the Middle East: Dubai and Saudi Arabia are excellent markets.<\/p>\n

However, we don’t chase trends much: we often anticipate them. When, with Peter Rankin <\/strong>, we launched carpets based on city plans – also obtained from digital maps, with the possibility of marking where you live – similar projects were subsequently released in many sectors, from tiles to wallpapers. Our “not afraid” of taking risks also leads us to being copied.<\/p>\n

And there is a paradox: sometimes you trace a path and others become more popular because they follow it more forcefully, perhaps with more aggressive promotion. The original does not always remain “the first” in the perception of the general public, even when it is in fact.<\/p>\n

Sustainability is at the center of your values: can you summarize the values ??of the brand, also through examples such as Circus? <\/h2>\n

The values are passion for design, uncompromising research and sustainability that is as true as possible. Knowing that sustainability is a journey: you can’t be 100% sustainable in everything. Even a handmade product, without polluting agents and with low energy consumption compared to industry, must then be shipped: and neither plane nor ship is sustainable.<\/p>\n

For me, being sustainable means first of all supporting <\/em>: minimizing the impact, but above all – and in some cases even more than the environment – the social one. Reward and recognize: make the right economic contribution so that communities can live and grow in a way that is appropriate to the times in which we live.<\/p>\n

It means building very long relationships, providing work even when it is not convenient, not exploiting the fragility of the territories. There are realities that don’tthey pay, or they pay with objects, or they use child labor: it is up to each individual to decide how far they want to go to earn money.<\/p>\n

Uncompromising design and real social sustainability: these are the two components. If we were to do these jobs in Europe, it would be unfeasible.<\/p>\n

And some supply chain dynamics need to be mentioned: Turkey no longer produces hand-knotted carpets like it used to; it mechanizes because it is closer to our standards and it cannot afford it. And it is known in the sector that many carpets “passed off” as Turkish come from other production geographies. It remains a more na\u00efve and low-density world, but it is no longer the even-knot Persian tradition that has made history.<\/p>\n

Let’s do an exercise: we are in 2036. What is Nodus, and what is new about it? <\/h2>\n

It’s an exercise I don’t do often, but I hope to have an ever-larger and more recognized collection. And I would like to get more “popular” feedback: enter more homes.<\/p>\n

On the one hand we will continue to make pieces that take a year or a year and a half; on the other hand I would like to push the more democratic line even further, to share our idea of ??a contemporary carpet and textile art with as many people as possible. It is a fixed point: this democracy is also linked to sustainability and the values ??that we would like to circulate. I hope to achieve broader recognition of the work we are carrying out.<\/p>\n","protected":false},"excerpt":{"rendered":"

In the world of carpet, there has always been a fascinating point of friction: the meeting between East and West. For decades, in designer interiors, this story almost inevitably passed through the ancient carpet – especially the Persian one – guardian of a silent quality, of a “natural” prestige, of an aesthetic grammar that needed …<\/p>\n","protected":false},"author":9,"featured_media":19290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[338,350],"tags":[],"class_list":["post-11851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-complementi-darredo","category-interviews","has-thumb","has-featured"],"yoast_head":"\nNodus Rug: the meeting between East and West that redesigns the carpet in designer interiors - Archi & Interiors<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors - Archi & Interiors\" \/>\n<meta property=\"og:description\" content=\"In the world of carpet, there has always been a fascinating point of friction: the meeting between East and West. For decades, in designer interiors, this story almost inevitably passed through the ancient carpet – especially the Persian one – guardian of a silent quality, of a “natural” prestige, of an aesthetic grammar that needed …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/\" \/>\n<meta property=\"og:site_name\" content=\"Archi & Interiors\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-07T07:47:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sonia Carrera\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sonia Carrera\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/\"},\"author\":{\"name\":\"Sonia Carrera\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#\/schema\/person\/a92792ac07e03e40570b4cf29aed1586\"},\"headline\":\"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors\",\"datePublished\":\"2026-05-07T07:47:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/\"},\"wordCount\":2488,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg\",\"articleSection\":[\"Complementi D'Arredo\",\"Interviews\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/\",\"url\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/\",\"name\":\"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors - Archi & Interiors\",\"isPartOf\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg\",\"datePublished\":\"2026-05-07T07:47:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#primaryimage\",\"url\":\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg\",\"contentUrl\":\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg\",\"width\":1200,\"height\":800,\"caption\":\"Nodus Rug: l\u2019incontro tra Oriente e Occidente che ridisegna il tappeto negli interni d\u2019autore | Intervista ad Andrea Galimberti\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.archieinteriors.com\/en\/home\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#website\",\"url\":\"https:\/\/www.archieinteriors.com\/en\/\",\"name\":\"Archi & Interiors\",\"description\":\"Archi & Interiors Magazine\",\"publisher\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.archieinteriors.com\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#organization\",\"name\":\"Archi & Interiors\",\"url\":\"https:\/\/www.archieinteriors.com\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2024\/07\/cropped-customcolor_logo_customcolor_background.png\",\"contentUrl\":\"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2024\/07\/cropped-customcolor_logo_customcolor_background.png\",\"width\":937,\"height\":550,\"caption\":\"Archi & Interiors\"},\"image\":{\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#\/schema\/person\/a92792ac07e03e40570b4cf29aed1586\",\"name\":\"Sonia Carrera\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.archieinteriors.com\/en\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/f68db9f159d71f92d2228a4caf0868310f75d6a2dba1645036b6fa17086e0039?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/f68db9f159d71f92d2228a4caf0868310f75d6a2dba1645036b6fa17086e0039?s=96&d=mm&r=g\",\"caption\":\"Sonia Carrera\"},\"url\":\"https:\/\/www.archieinteriors.com\/en\/author\/sonia-carrera\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors - Archi & Interiors","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/","og_locale":"en_US","og_type":"article","og_title":"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors - Archi & Interiors","og_description":"In the world of carpet, there has always been a fascinating point of friction: the meeting between East and West. For decades, in designer interiors, this story almost inevitably passed through the ancient carpet – especially the Persian one – guardian of a silent quality, of a “natural” prestige, of an aesthetic grammar that needed …","og_url":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/","og_site_name":"Archi & Interiors","article_published_time":"2026-05-07T07:47:10+00:00","og_image":[{"width":1200,"height":800,"url":"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg","type":"image\/jpeg"}],"author":"Sonia Carrera","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Sonia Carrera","Est. reading time":"12 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#article","isPartOf":{"@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/"},"author":{"name":"Sonia Carrera","@id":"https:\/\/www.archieinteriors.com\/en\/#\/schema\/person\/a92792ac07e03e40570b4cf29aed1586"},"headline":"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors","datePublished":"2026-05-07T07:47:10+00:00","mainEntityOfPage":{"@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/"},"wordCount":2488,"commentCount":0,"publisher":{"@id":"https:\/\/www.archieinteriors.com\/en\/#organization"},"image":{"@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#primaryimage"},"thumbnailUrl":"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg","articleSection":["Complementi D'Arredo","Interviews"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/","url":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/","name":"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors - Archi & Interiors","isPartOf":{"@id":"https:\/\/www.archieinteriors.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#primaryimage"},"image":{"@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#primaryimage"},"thumbnailUrl":"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg","datePublished":"2026-05-07T07:47:10+00:00","breadcrumb":{"@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#primaryimage","url":"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg","contentUrl":"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2026\/05\/Nodus-Rug-lincontro-tra-Oriente-e-Occidente-che-ridisegna-il-tappeto-negli-interni-dautore-Intervista-ad-Andrea-Galimberti.jpg","width":1200,"height":800,"caption":"Nodus Rug: l\u2019incontro tra Oriente e Occidente che ridisegna il tappeto negli interni d\u2019autore | Intervista ad Andrea Galimberti"},{"@type":"BreadcrumbList","@id":"https:\/\/www.archieinteriors.com\/en\/nodus-rug-the-meeting-between-east-and-west-that-redesigns-the-carpet-in-designer-interiors\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.archieinteriors.com\/en\/home\/"},{"@type":"ListItem","position":2,"name":"Nodus Rug: the meeting between East and West that redesigns the carpet in designer interiors"}]},{"@type":"WebSite","@id":"https:\/\/www.archieinteriors.com\/en\/#website","url":"https:\/\/www.archieinteriors.com\/en\/","name":"Archi & Interiors","description":"Archi & Interiors Magazine","publisher":{"@id":"https:\/\/www.archieinteriors.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.archieinteriors.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.archieinteriors.com\/en\/#organization","name":"Archi & Interiors","url":"https:\/\/www.archieinteriors.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.archieinteriors.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2024\/07\/cropped-customcolor_logo_customcolor_background.png","contentUrl":"https:\/\/www.archieinteriors.com\/wp-content\/uploads\/2024\/07\/cropped-customcolor_logo_customcolor_background.png","width":937,"height":550,"caption":"Archi & Interiors"},"image":{"@id":"https:\/\/www.archieinteriors.com\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.archieinteriors.com\/en\/#\/schema\/person\/a92792ac07e03e40570b4cf29aed1586","name":"Sonia Carrera","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.archieinteriors.com\/en\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/f68db9f159d71f92d2228a4caf0868310f75d6a2dba1645036b6fa17086e0039?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f68db9f159d71f92d2228a4caf0868310f75d6a2dba1645036b6fa17086e0039?s=96&d=mm&r=g","caption":"Sonia Carrera"},"url":"https:\/\/www.archieinteriors.com\/en\/author\/sonia-carrera\/"}]}},"_links":{"self":[{"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/posts\/11851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/comments?post=11851"}],"version-history":[{"count":1,"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/posts\/11851\/revisions"}],"predecessor-version":[{"id":19304,"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/posts\/11851\/revisions\/19304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/media\/19290"}],"wp:attachment":[{"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/media?parent=11851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/categories?post=11851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.archieinteriors.com\/en\/wp-json\/wp\/v2\/tags?post=11851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}