{"id":24898,"date":"2026-08-21T09:48:14","date_gmt":"2026-08-21T07:48:14","guid":{"rendered":"https:\/\/www.archieinteriors.com\/?p=24898"},"modified":"2026-08-21T09:48:16","modified_gmt":"2026-08-21T07:48:16","slug":"best-interior-designers-in-turin","status":"publish","type":"post","link":"https:\/\/www.archieinteriors.com\/en\/best-interior-designers-in-turin\/","title":{"rendered":"The Best Interior Designers in Turin: 25 Studios and Leading Names in Interior Design"},"content":{"rendered":"\n

Turin has shaped a significant part of its identity through design. It has done so through major industry and the automotive sector, through architecture, graphic design, furniture, education and that distinctive culture of detail that continues to emerge even when the scale becomes smaller and design enters the home. In 2008, Turin became the first World Design Capital<\/strong>; since 2014, it has been part of UNESCO\u2019s Creative Cities Network as a City of Design<\/strong>. These recognitions reflect a much longer and more complex history, one in which manufacturing culture and design research have often evolved side by side.<\/p>\n\n\n\n

Yet to truly understand interior design in Turin<\/strong>, it is also necessary to look elsewhere: inside nineteenth-century palazzi, bourgeois apartments, converted industrial buildings, hillside homes and the hospitality venues that, in recent years, have reshaped parts of the city. Turin has a distinctive relationship with interior space. Its architecture often imposes restraint, proportion and discipline; contemporary design, by contrast, introduces colour, materiality, custom-made furniture, unexpected combinations and new ways of living. It is precisely within the tension between these two characters that many of the city\u2019s most compelling interiors find their identity.<\/p>\n\n\n\n

Carlo Mollino<\/strong> left a profound mark on this culture and remains a figure almost impossible to separate from the history of twentieth-century Italian interior design. Architect, designer and interior designer, Mollino transformed the domestic space into a territory for personal experimentation, far removed from the idea of a uniform Modernism. Casa Miller, Casa Devalle and, later, the apartment on Via Napione now known as Museo Casa Mollino reveal a conception of the interior built through specially designed furniture, objects, materials, symbols and atmospheres. His legacy does not lie in a style to be replicated, but in an attitude: the idea of the interior as a complete design project, capable of expressing the identity of those who inhabit it.<\/p>\n\n\n\n

Contemporary Turin naturally has many other voices. Some emerged from the long season of Radical Design; others developed through close connections with industry and product design; still others belong to a generation of studios working across residential design, hospitality, restaurants, retail and workplaces. There are internationally recognised designers alongside younger practices, highly distinctive authorial studios and multidisciplinary firms in which the boundaries between architecture, interior design, furniture design and art direction are deliberately less rigid.<\/p>\n\n\n\n

This selection brings together 25 interior design studios and designers connected to Turin<\/strong>. It is not a ranking, and the order does not indicate merit. The aim is to offer an editorial reading of Turin\u2019s design scene through professionals for whom interior design represents a substantial and recognisable part of their work: from private homes to restaurants, from hotels and offices to commercial spaces and custom-designed furniture<\/strong>.<\/p>\n\n\n\n

How we selected the interior designers in Turin<\/h2>\n\n\n\n

Defining what an interior designer is today inevitably means crossing several disciplines. The distinction between architecture and interior design, particularly within Italian design culture, is not always clear-cut \u2014 and perhaps it does not need to be. Many of the designers included in this selection are architects who approach interiors with the same depth they bring to buildings; others come from design and approach space through objects, materials, colour or exhibition design; still others have established practices explicitly specialising in interiors.<\/p>\n\n\n\n

For this reason, the selection is not based on the professional title adopted by each practice, but on the continuity and quality of their research into interior spaces<\/strong>. We considered each studio\u2019s trajectory, its portfolio of completed projects, the role of interiors within its professional practice, the distinctiveness of its design language and its contribution to Turin\u2019s design culture. We did not consider it necessary to exclude practices that also appear in our selection of Turin architecture studios: whenever interior design represents a significant part of their work, this overlap simply reflects the multidisciplinary nature of the practice.<\/p>\n\n\n\n

The result brings together different generations and approaches. And perhaps it is precisely this plurality that best represents Turin: a city in which design culture continues to move between rigour and imagination, permanence and transformation, industry and craftsmanship.<\/p>\n\n\n\n

The best interior designers in Turin: 25 studios and designers specialising in interiors<\/h2>\n\n\n\n

Fabio Fantolino<\/h3>\n\n\n\n
\"Best<\/figure>\n\n\n\n

Among the most recognisable figures in contemporary Turin interior design<\/strong>, Fabio Fantolino<\/strong> founded his studio in Turin in 2001, opening a second office in Milan in 2014. His practice spans architecture, interior design, residential projects, hospitality, product design, art direction and, more recently, yacht design. At its core, however, remains a strong culture of bespoke design, which the studio explicitly identifies as one of the central elements of its research.<\/p>\n\n\n\n

In Fantolino\u2019s interiors, personalisation goes far beyond the simple selection of finishes or furniture. Architecture, bespoke pieces, lighting and materials are conceived as parts of a single system, creating spaces with a strong identity that rarely depend on one spectacular gesture alone. His recent portfolio includes homes, restaurants, offices, retail and exhibition design, with numerous projects completed in Turin itself.<\/p>\n\n\n\n

His approach reflects one of the city\u2019s most contemporary design identities: sophisticated without being rigid, attentive to craftsmanship while remaining fully engaged with an international design landscape.<\/p>\n\n\n\n

Marcante-Testa<\/h3>\n\n\n\n
\"Turin<\/figure>\n\n\n\n

Andrea Marcante and Adelaide Testa<\/strong> have developed one of the most distinctive identities in contemporary Italian interior design. Their shared practice grew out of the experience developed within UdA, where Testa worked closely with Marcante on interior design projects; since 2014, their work has continued independently through Marcante-Testa<\/strong>, a studio devoted to research across architecture, interiors, design and consultancy for furniture and materials companies.<\/p>\n\n\n\n

Their work is recognisable for its use of colour not as ornament, but as a true architectural tool; for the juxtaposition of materials belonging to different visual registers; and for the construction of spaces in which furniture, walls, surfaces and objects appear to carry equal design weight. Their interiors are complex without becoming overloaded: rigorous geometries coexist with ironic details, domestic elements with cultured references, the memory of the building with deliberately contemporary interventions.<\/p>\n\n\n\n

Turin remains one of the key places within their practice. Their project for the new IED Turin campus also demonstrates how their research extends beyond residential design: adaptive reuse becomes an opportunity to rethink interiors while limiting demolition and waste and assigning new value to materials, finishes and components already present within the building.<\/p>\n\n\n\n

lamatilde<\/h3>\n\n\n\n
\"lamatilde<\/figure>\n\n\n\n

For lamatilde<\/strong>, designing an interior means, first and foremost, constructing a narrative. The studio itself defines space as a tool capable of telling a story and enhancing the experience of those who move through it. Over the years, this approach has resulted in a particularly recognisable practice within hospitality, restaurants, retail and public-facing spaces.<\/p>\n\n\n\n

Here, interior design is not conceived as a stage set detached from its context. Each project begins with the identity of the place or brand, its function, its users and the kind of experience the space is intended to generate. Colour, graphics, furniture, lighting and materials therefore become part of an overall direction in which even the smallest elements contribute to the narrative.<\/p>\n\n\n\n

It is a particularly interesting approach in a city such as Turin, where the design of interiors has accompanied the transformation of many spaces dedicated to food, hospitality and social life in recent years. lamatilde embodies this dimension particularly well: a studio in which architectural expertise and design culture are placed at the service of spaces intended to be used, remembered and recognised.<\/p>\n\n\n\n

BRH+ | Barbara Brondi + Marco Rain\u00f2<\/h3>\n\n\n\n
\"BRH+<\/figure>\n\n\n\n

In the work of Barbara Brondi and Marco Rain\u00f2<\/strong>, interior design forms part of a much broader investigation into the contemporary meaning of design itself. Architects, designers and independent curators, in 2002 they founded BRH+<\/strong> in Turin, a studio operating across architecture, interior and exhibition design, product and graphic design, art direction and curatorial practice.<\/p>\n\n\n\n

It is precisely this interdisciplinary dimension that makes BRH+ an important presence on the Turin design scene. Projects are not approached as independent exercises in style, but as opportunities to connect space, objects, communication and visual culture. Their professional practice is complemented by significant theoretical and editorial activity and by the research developed through IN Residence, the cultural association dedicated to contemporary design that Brondi and Rain\u00f2 also helped to establish.<\/p>\n\n\n\n

The result is an approach to interiors less interested in constructing an immediately decorative signature and more focused on defining systems, relationships and specific identities for each project. Homes, commercial spaces, exhibitions, offices and cultural venues thus become territories within the same research, where experimentation is never separated from function.<\/p>\n\n\n\n

Studio65<\/h3>\n\n\n\n
\"Studio65<\/figure>\n\n\n\n

Including Studio65<\/strong> in a selection devoted to Turin interiors means acknowledging one of the most radical roots of the city\u2019s design culture. Franco Audrito founded Studio65 in Turin in 1965<\/strong> as an avant-garde collective made up of young people from the Faculty of Architecture and different artistic disciplines. The studio became one of the leading protagonists of the Italian Radical Design movement, challenging languages, conventions and even the very idea of what a piece of furniture or an interior should be.<\/p>\n\n\n\n

The influence of that experience entered the collective design imagination far beyond Turin. Yet reducing Studio65 to the Radical icons of the 1960s and 1970s would tell only part of its story: the practice continued to work internationally across architecture and interior design and today remains active between Turin and the Middle East.<\/p>\n\n\n\n

Its presence in this selection therefore carries a double significance. On the one hand, it represents an essential genealogy for understanding Turin\u2019s contribution to Italian design culture; on the other, it reminds us that interior design can also be provocation, invention and cultural positioning. Not merely a question of spatial harmony, but a way of challenging habits and imagining alternative ways of living.<\/p>\n\n\n\n

Massimiliano Camoletto Architects<\/h3>\n\n\n\n
\"Massimiliano<\/figure>\n\n\n\n

The professional history of Massimiliano Camoletto<\/strong> spans one of the important chapters of recent Turin design. In 1992, he co-founded UdA \u2013 Ufficio di Architettura<\/strong> with Valter Camagna and Andrea Marcante; when UdA ended its experience as a unified studio in 2015, the three architects continued along independent professional paths. Camoletto subsequently developed his work through Massimiliano Camoletto Architects.<\/p>\n\n\n\n

His portfolio clearly demonstrates the central role played by interiors within the practice: homes, lofts, restaurants, showrooms and workplaces sit alongside architectural projects, with work completed in Turin, Milan and various international locations. Turin projects include Palazzo Piacentini, Paris Dream, Loft San Salvario and Ex GFT Loft.<\/p>\n\n\n\n

His long experience across architecture and interiors results in a design approach in which spatial organisation remains the starting point, while materials, furniture and details contribute to defining the character of each environment. His presence also makes it possible to interpret UdA\u2019s legacy correctly: not as a studio that is still operating, but as a matrix from which independent practices emerged and continue, through different languages, to influence contemporary design.<\/p>\n\n\n\n

Helga Faletti Studio<\/h3>\n\n\n\n
\"Helga<\/figure>\n\n\n\n

Helga Faletti<\/strong> works across residential interiors, commercial spaces and hospitality design. Her studio is based in Turin and its portfolio includes private homes and hospitality projects, among which the intervention for Combo Torino<\/strong>, inside the former fire station on Corso Regina Margherita, is particularly significant.<\/p>\n\n\n\n

For Combo, the architectural restoration was developed with Ole Sondresen, while Faletti was responsible for the interior design: guest rooms, suites and communal spaces engage with a building dating from 1883, which had stood unused for more than twenty years before its transformation. The project illustrates one of the most compelling questions within contemporary interior design in Turin: how to intervene in buildings with a strong identity without neutralising them, allowing the memory of the architecture to coexist with new ways of using space.<\/p>\n\n\n\n

Within the studio\u2019s work, this attention also extends to the domestic scale, where interiors are shaped through the relationship between existing architecture, furnishings and the individual character of each environment. It is an approach that does not seek a single formula, but instead changes register according to the place and to the people who will inhabit it.<\/p>\n\n\n\n

Velvet Studio<\/h3>\n\n\n\n
\"Velvet<\/figure>\n\n\n\n

Founded in Turin in 2012 by Gianluca Bocchetta<\/strong>, Velvet Studio<\/strong> works across architecture, interior and product design. From the outset, the studio has expressed an interest in the perception of space and the experience of those who inhabit it, with the aim of creating interiors that combine aesthetic quality, ergonomics and function.<\/p>\n\n\n\n

The portfolio spans residential design, hospitality, food and fashion retail, wellness and beauty, resulting in a particularly versatile practice. Recent projects include Casa Armonia in Turin, Castello di Verduno, various restaurants and numerous commercial interiors, while the studio\u2019s residential projects in Turin have also been featured in publications including Abitare<\/em> and AD Italia<\/em>.<\/p>\n\n\n\n

Velvet\u2019s interiors tend to avoid overly predictable solutions: technical elements, industrial materials, bespoke furniture, colour and more decorative pieces can coexist within the same setting without compromising spatial clarity. It is a sensibility that finds particularly fertile ground in Turin, especially when projects involve former industrial buildings, commercial premises or homes in which the existing structure becomes part of the final identity.<\/p>\n\n\n\n

Atelier Pour \/ Tina Pour<\/h3>\n\n\n\n
\"Atelier<\/figure>\n\n\n\n

There is an explicitly tailor-made dimension to the work of Atelier Pour<\/strong>, the architecture and design studio founded in Turin by architect Tina Pour<\/strong>. The name itself evokes the idea of the atelier as a place where projects are created to measure: not through the application of a predetermined design language, but through a process that begins with the characteristics of the space and, above all, with the people who will inhabit it. The studio follows the entire design process, from planning and building procedures to construction supervision and interior design, working across both residential and commercial projects.<\/p>\n\n\n\n

This approach is particularly evident in its domestic interiors, where attention is focused on proportions, bespoke furniture, surface treatments and palettes conceived as an integral part of the architecture. Casa E+A<\/strong>, featured by AD Italia<\/em> in 2024 and subsequently by a number of industry publications and companies, helped increase the studio\u2019s visibility beyond the Turin context.<\/p>\n\n\n\n

The result is contemporary interior design without anonymity, where detail is not used as decoration added at a later stage: it is embedded in the project from the very beginning. This is an especially relevant approach to residential design, where the quality of an interior is often measured precisely by its ability to translate highly personal requirements into a coherent space.<\/p>\n\n\n\n

Officina 8A<\/h3>\n\n\n\n
\"Officina<\/figure>\n\n\n\n

Officina 8A<\/strong> was founded in Turin in 2010, when a former workshop was transformed into the workplace from which the associated architecture studio would develop. Its co-founders are architects Bernardo Ascanio Rossetti and Francesco Capitolo<\/strong>; over the years, the practice has expanded to include architects and interior designers, developing work across architecture, interior design and graphics.<\/p>\n\n\n\n

Residential design represents an important part of its portfolio and reveals a recurring theme: the relationship with Turin\u2019s historic apartments. Restored frescoes, mouldings, decorated ceilings and original proportions are not treated as elements to be frozen in time, but become the starting point for new spatial layouts, contemporary furniture and bespoke solutions. The studio explicitly states that it works on a range of residential and commercial renovation projects.<\/p>\n\n\n\n

In Green House<\/strong>, for example, a shade of green selected from the City of Turin colour palette becomes the visual thread running through the home, while the furniture is designed and made to measure; in other projects, colour is used to interrupt the neutrality of the historic shell or to establish relationships between different rooms.<\/p>\n\n\n\n

This approach reflects a particularly Turin-specific condition: working with a strongly characterised domestic heritage without turning it either into a replica of the past or into a completely neutralised container.<\/p>\n\n\n\n

Studioata<\/h3>\n\n\n\n
\"Studioata<\/figure>\n\n\n\n

Founded in Turin in 2000<\/strong>, Studioata<\/strong> belongs to that group of practices for which drawing a precise boundary between architecture, interiors and design culture would be reductive. The studio works across architecture, interior design, product design, graphics, web design and exhibition design, combining professional practice with continuous participation in exhibitions, competitions, conferences and cultural initiatives.<\/p>\n\n\n\n

Its portfolio also demonstrates how fundamental interiors are to the practice. Homes, installations and adaptive reuse projects coexist with buildings and larger-scale interventions; among the works presented by the studio are numerous interiors, from Via Santa Giulia<\/strong> to Casa Yoga<\/strong>, from Cambrada 131<\/strong> to La Baita<\/strong>, alongside projects in which architecture and interiors are developed simultaneously.<\/p>\n\n\n\n

Particularly interesting is Studioata\u2019s approach to the relationship between existing architecture and new intervention. In a Turin apartment published by the German magazine AIT<\/em>, the project is described precisely as a dialogue between a historic setting and a deliberately recognisable contemporary intervention.<\/p>\n\n\n\n

The objective is therefore not to seek a mimetic continuity with what already exists, but to allow different periods to coexist. It is a design position that restores architectural complexity to the interior: the domestic space is not simply furnished; it is interpreted.<\/p>\n\n\n\n

SCEG Architetti<\/h3>\n\n\n\n
\"SCEG<\/figure>\n\n\n\n

Founded in Turin in 2011 by Stefano Carera and Eirini Giannakopoulou<\/strong>, SCEG Architetti<\/strong> emerged from the meeting of two design cultures which the studio itself describes as an attempt to combine Piedmontese rationality with a Greek spirit. Both architects also bring their research into interior design into teaching, lecturing at IAAD within the Interior and Textile department.<\/p>\n\n\n\n

In their residential projects, the home is often conceived as a sequence of situations rather than a simple succession of rooms. The studio openly refers to surprise and unpredictability as important elements of its design approach: a principle translated into the use of colour, openings between rooms, geometry and the ability to transform functional elements into spatial devices.<\/p>\n\n\n\n

The research extends beyond residential interiors. In IN(ex)TERIOR DESIGN<\/strong>, inside a historic fourteenth-century tower in Vigone, interior design is used to establish a more direct relationship between domestic life and the public space of the square; in retail, Urban Bazaar<\/strong> transforms the shop through a light and luminous structure conceived almost as an installation.<\/p>\n\n\n\n

In both cases, an interesting characteristic of SCEG\u2019s work emerges: the interior is never considered in isolation. It remains connected to architecture, the city and the perception of those moving through the space.<\/p>\n\n\n\n

13PARI<\/h3>\n\n\n\n
\"13PARI<\/figure>\n\n\n\n

13PARI<\/strong> was created through the collaboration between Giorgia Fini, architect, and Daniela Torre, interior designer<\/strong>. The two began working together in 2017 on the renovation of an apartment overlooking the Mole Antonelliana; from that experience emerged a Turin-based studio now specialising in interior renovation and residential architecture.<\/p>\n\n\n\n

It is precisely this specialisation that makes 13PARI particularly relevant to a selection focused on interior design. The project does not stop at rethinking spatial layouts: it includes 3D visualisation, the selection of finishes, lighting design, furniture selection and the design of bespoke elements.<\/p>\n\n\n\n

Its predominantly domestic scale allows the studio to engage directly with one of the most complex issues in contemporary living: transforming apartments often designed for very different lifestyles without necessarily erasing their identity. Interiors are therefore reconsidered through the lens of everyday life, seeking a balance between functionality, personalisation and compositional clarity.<\/p>\n\n\n\n

It represents a different kind of presence compared with the more multidisciplinary practices in this selection, but is significant precisely for that reason: 13PARI represents the part of Turin\u2019s design scene in which the home itself remains at the centre of design research<\/strong>.<\/p>\n\n\n\n

Coh\u00e9sion Studio Architects<\/h3>\n\n\n\n
\"Coh\u00e9sion<\/figure>\n\n\n\n

Founded in Turin in 2015 by Giuseppe Pasquero and Andrea Levra Levron<\/strong>, Coh\u00e9sion Studio Architects<\/strong> works across architecture, interior design and object design, with a second office in Milan. Attention to detail, craftsmanship and the relationship with materials are explicitly central to the studio\u2019s research.<\/p>\n\n\n\n

Materials are often allowed to express themselves through their physical and tactile qualities: raw surfaces, imperfections, wood, stone and natural finishes help construct atmosphere without becoming a decorative repertoire. The studio describes its spaces as environments in which interior and exterior, memory and everyday life remain connected, assigning equal importance to the scale of the building and that of an individual piece of furniture.<\/p>\n\n\n\n

This attitude is particularly evident in residential projects. EHB Apartments<\/strong>, inside the historic Palazzo Balbo di Vinadio in central Turin, transforms the piano nobile into two contemporary homes through an intervention in which conservation forms the foundation for new spatial and functional decisions. In CRV Residence<\/strong>, architecture and interior design are instead developed within a unified vision extending through to the finishes.<\/p>\n\n\n\n

Coh\u00e9sion therefore brings a quieter and more material-driven form of research to Turin\u2019s interior design scene, where the character of an interior depends less on immediate visual impact and more on the quality of the relationships between space, light, materials and detail.<\/p>\n\n\n\n

BALANCE Architettura<\/h3>\n\n\n\n
\"BALANCE<\/figure>\n\n\n\n

BALANCE Architettura<\/strong> is an international studio based in Turin that has worked since 2011 across architecture, workplaces, exhibition design, urban planning and interior design. Over the years, its work has received numerous distinctions, including the Giovane Talento dell\u2019Architettura Italiana 2022<\/strong> award from CNAPPC; its projects have also been featured in publications including Domus<\/em>, Abitare<\/em>, The Plan<\/em>, Detail<\/em> and The Architectural Review<\/em>.<\/p>\n\n\n\n

Interior design, however, is far from a marginal activity within the studio\u2019s work. Its portfolio includes a substantial series of interiors completed predominantly in Turin: Phoenix, Morrissey, Portland, Fermi, Elda, Qualich, Monumental, Karna, My Family My Wonder, Zanella and Joelle<\/strong>, alongside offices and commercial spaces.<\/p>\n\n\n\n

One project that particularly illustrates the studio\u2019s approach is Portland<\/strong>, an apartment overlooking Parco del Valentino in which a single concrete volume organises different domestic functions while removing many of the traditional internal divisions. Mirrors, resin, wood and glass are not treated merely as finishes, but actively contribute to the perception and organisation of the space.<\/p>\n\n\n\n

BALANCE therefore brings a more explicitly architectural form of research to this selection, one in which interiors emerge from the control of volumes, circulation and materials. It is a way of designing in which the home is treated as a genuine spatial structure, even when the scale of the intervention is relatively small.<\/p>\n\n\n\n

PlaC Architecture<\/h3>\n\n\n\n
\"PlaC<\/figure>\n\n\n\n

Active in Turin since 2014<\/strong>, PlaC \u2013 Plateau Collaboratif<\/strong> is a practice working across urban planning, architecture and interior design through an explicitly collaborative methodology. The studio currently brings together Andrea Alessio, Ilaria Ariolfo, Davide Barreri and other designers, combining professional practice with theoretical research, workshops and teaching at the Polytechnic University of Turin and IED.<\/p>\n\n\n\n

The scale may change within PlaC\u2019s work, but its interest in what already exists remains constant: the identity of place, possibilities for adaptation, materials and contemporary ways of living are treated as design tools. This approach is particularly evident in the interiors, which have their own dedicated section within the studio\u2019s portfolio and include numerous residential and commercial projects in Turin and other European cities.<\/p>\n\n\n\n

Among its more recent projects, Color Field House<\/strong> transforms a 1930s apartment in Turin\u2019s historic centre by creating a dialogue between original elements and new domestic geometries. The project retains references to the existing building and conceives the home as a continuous spatial field in which colour helps define relationships and depth.<\/p>\n\n\n\n

Earlier interventions reveal the same attention to the transformation of existing spaces: in an apartment in the Vanchiglia district, for example, a central strip accommodates services and technical functions, freeing the main rooms and allowing natural light to travel more extensively through the home.<\/p>\n\n\n\n

PlaC therefore represents a generation for which interior design cannot be separated from thinking about architecture and the city. The scale changes, but the method remains the same: reading what already exists and transforming it without erasing its qualities.<\/strong><\/p>\n\n\n\n

R3architetti<\/h3>\n\n\n\n
\"R3architetti<\/figure>\n\n\n\n

Founded in 2015<\/strong> by Marco Pippione, Alexandru Popescu, Matteo Restagno and Gian Nicola Ricci<\/strong>, who met during their years at the Polytechnic University of Turin, R3architetti<\/strong> has built a significant part of its identity through interior design. The studio describes design as a form of storytelling: a space should be capable of expressing an identity, interpreting what already exists and transforming it through layout, materials, light and new architectural devices.<\/p>\n\n\n\n

Its residential work in Turin offers numerous examples of this approach. In Spazio Mando<\/strong>, a 1970s apartment is freed from its previous fragmentation to create a more fluid environment in which a large multifunctional built-in element organises the entrance and living area; in Casa Antonelli<\/strong>, oak, earthy tones and green accents define a more restrained interior shaped by material and chromatic continuity.<\/p>\n\n\n\n

Particularly interesting is the way R3 avoids treating furniture as a later stage added to the architecture. Bookcases, seating, screens, storage volumes and partitions become genuine spatial tools. Interior design therefore emerges from the transformation of the plan and the relationship between built elements, rather than from the simple layering of objects.<\/p>\n\n\n\n

Studio Ellisse Architetti<\/h3>\n\n\n\n
\"Studio<\/figure>\n\n\n\n

Studio Ellisse Architetti<\/strong> grew out of the collaboration between Nadia Battaglio and Lorenzo Serra<\/strong>, both educated at the Polytechnic University of Turin. Their research focuses particularly on renovation, the recovery of existing architecture and the use of natural, low-impact materials, with particular attention to wood, lime, stone and traditional construction techniques.<\/p>\n\n\n\n

This sensibility extends directly into their interiors. In the 2022 renovation of a Turin apartment near Parco del Valentino, the project preserves and reinterprets materials including terracotta, Botticino marble and lime plaster, combining them with oak flooring and new elements designed specifically for the home. The objective is not to standardise what already exists, but to construct a balance between different traces of the past and new domestic needs.<\/p>\n\n\n\n

Casa Amarela<\/strong>, another Turin renovation by the studio, demonstrates the same attention to materiality and bespoke design, with furniture and storage elements created specifically for the spaces.<\/p>\n\n\n\n

Within a design landscape in which contemporary interiors are often associated primarily with image, Studio Ellisse introduces another perspective: the quality of a space also depends on where its materials come from, how they are worked and the possibility of building with greater environmental awareness<\/strong>.<\/p>\n\n\n\n

De Leo & Drasnar Architects<\/h3>\n\n\n\n
\"De<\/figure>\n\n\n\n

With offices in Turin and Singapore<\/strong>, De Leo & Drasnar Architects<\/strong> was founded by Massimiliano De Leo and Lukas Drasnar<\/strong> following professional experience within international architecture practices. Architecture, interior design and bespoke furniture represent the main areas of the studio\u2019s work, both in Italy and abroad.<\/p>\n\n\n\n

Its interior design portfolio is particularly extensive, encompassing private residences, restaurants, bars, shops, offices and healthcare facilities, with projects completed in Turin and in other Italian and European locations. Its work includes residential projects in Crocetta, Precollina and Lungo Po Antonelli, alongside commercial and hospitality interiors including Sushi Be, Xile Clothing and several restaurant projects.<\/p>\n\n\n\n

The studio also combines spatial design with furniture design and expresses a particular focus on environmentally compatible materials, energy efficiency and the use of natural and renewable resources.<\/p>\n\n\n\n

The result is a practice in which technical and aesthetic considerations are developed within the same process: from the initial concept and construction management through to the definition of elements designed specifically for each project.<\/p>\n\n\n\n

Fragomeli and Partners<\/h3>\n\n\n\n
\"Fragomeli<\/figure>\n\n\n\n

Founded in 2008 by Fabrizio Fragomeli<\/strong>, Fragomeli and Partners<\/strong> initially developed around the design of private villas in Italy and abroad. In 2014, Angelica Morra joined as a partner<\/strong>, focusing part of her work on residential and public interior design as well as yacht interiors.<\/p>\n\n\n\n

The studio\u2019s research occupies a different territory from the more minimalist practices included in this selection. Here, materials, light, colour and geometry contribute to deliberately theatrical spaces, often within the high-end residential market. The studio describes its objective as the pursuit of architecture capable of enduring over time, placing particular importance on detail, material selection and the overall composition of the space.<\/p>\n\n\n\n

An apartment in Piazza Carignano in Turin<\/strong>, for example, connects the historic character of its Savoyard context with references and influences drawn from different cultures, demonstrating how interiors can also become a territory for cross-cultural dialogue.<\/p>\n\n\n\n

The presence of Fragomeli and Partners therefore further broadens the picture: Turin\u2019s design landscape is not defined by a single vision of contemporary elegance, but also encompasses interiors in which decoration, luxury, materiality and atmosphere play an explicitly central role<\/strong>.<\/p>\n\n\n\n

Boffa Petrone & Partners<\/h3>\n\n\n\n
\"Boffa<\/figure>\n\n\n\n

With offices in Turin and Milan<\/strong>, Boffa Petrone & Partners<\/strong> works across design, renovation, interior design and construction process management. The studio reports an especially extensive residential practice \u2014 with almost one hundred apartments listed in its portfolio \u2014 alongside commercial projects and larger-scale interventions.<\/p>\n\n\n\n

The quantity, however, is less significant than the consistency with which interior design appears throughout the studio\u2019s work. Its portfolio explicitly distinguishes between Interior, Residential and Commercial<\/strong> projects, demonstrating a practice in which domestic interiors coexist with offices, high-end residences and more complex real-estate transformations.<\/p>\n\n\n\n

Among its Turin projects, Domus Lascaris<\/strong> is a significant example of the ability to work simultaneously on the building and its interiors: Boffa Petrone & Partners developed both the external interventions and the interior design of the residential project, integrating the domestic scale within a broader architectural transformation.<\/p>\n\n\n\n

Their inclusion in this selection highlights an important aspect of contemporary interiors: not every interior emerges from an exclusively author-driven design practice. There is also an approach capable of managing architecture, construction, real-estate development and interior space as coordinated parts of the same process<\/strong>.<\/p>\n\n\n\n

BSA \u2013 Bottega Studio Architetti<\/h3>\n\n\n\n
\"BSA<\/figure>\n\n\n\n

Founded in Turin in 2004 by Stefano Cerruti, Giovanni Ricciuti and Davide Valle<\/strong>, BSA \u2013 Bottega Studio Architetti<\/strong> works across residential, commercial and hospitality design, handling new-build, renovation and redevelopment projects. The choice of the word \u201cBottega\u201d is deliberate: the studio directly associates it with knowledge of materials and with the desire to understand their characteristics and potential before incorporating them into a project. (bottegastudio.it<\/a>)<\/p>\n\n\n\n

This focus naturally extends to interiors. BSA follows projects from the architectural definition through to the selection of materials and furniture, developing bespoke solutions whenever necessary. Its recent portfolio includes numerous projects in Turin, from apartments and penthouses to private homes, and the studio explicitly identifies some of its work as combined architecture and interior design<\/strong> projects.<\/p>\n\n\n\n

The relationship between different materials often becomes one of the key compositional themes: wood and marble, warmer and cooler surfaces, light and shadow are used to create balanced environments without erasing the physical presence of matter. In a residential project published by DentroCasa<\/em>, for example, the contrast between parquet, marble and steel becomes one of the elements through which the identity of the home is defined.<\/p>\n\n\n\n

It is an attitude that reconnects interior design with the original meaning of the bottega: technical knowledge and design move forward together, while detail is conceived as part of the architecture rather than as something added later.<\/p>\n\n\n\n

Dinterni \/ Andrea Boeris<\/h3>\n\n\n\n
\"Dinterni<\/figure>\n\n\n\n

Within Turin\u2019s design landscape, Dinterni<\/strong> occupies a distinctive position because it was created specifically around the culture of interior design. Its founder, Andrea Boeris<\/strong>, born and professionally active in Turin, has pursued an idea of total design applied to residential, retail and contract interiors for around thirty years.<\/p>\n\n\n\n

Personalisation is the declared starting point. Bespoke furniture, spatial transformation and material selection are developed around the client\u2019s needs, avoiding a situation in which the project is shaped exclusively by solutions already available on the market. The home is therefore interpreted as an expression of the personality of its inhabitants, while in retail and contract projects the same method is applied to the construction of a specific identity.<\/p>\n\n\n\n

In a list that includes many practices rooted in architecture, Dinterni therefore introduces a different and necessary perspective. The interior is not simply one possible scale of intervention: it is the core of the professional practice<\/strong>, approached through space, furniture and bespoke design.<\/p>\n\n\n\n

MAAT Architettura \/ Martina Tab\u00f2<\/h3>\n\n\n\n
\"MAAT<\/figure>\n\n\n\n

In the work of MAAT Architettura<\/strong> and Martina Tab\u00f2<\/strong>, the interior often becomes a testing ground for less conventional ways of organising domestic life. Numerous projects developed in Turin reveal an interest in small spaces, atypical layouts, vertical connections and the possibility of assigning several functions to the same architectural element.<\/p>\n\n\n\n

Let it Flow<\/strong>, an apartment of just 55 square metres inside a seventeenth-century building in the city centre, begins with a plan made up of very small rooms that are difficult to use according to a traditional layout. The project responds by literally allowing one function to \u201cflow\u201d into another: kitchen, wardrobe, bathroom and bedroom invade or cross the conventional boundaries between rooms, creating a home more complex than its limited floor area might suggest.<\/p>\n\n\n\n

In Residenza Verticale<\/strong>, also in Turin, the central theme is instead the connection between floors. A staircase-bookcase and a transparent landing transform physical connections into visual ones as well, while doors and furniture perform several functions simultaneously.<\/p>\n\n\n\n

These projects retain a remarkable contemporary relevance because they address questions that are now central to interior design: how to use limited square footage more effectively, how to avoid rigidly specialised rooms and how to transform a spatial constraint into a design opportunity<\/strong>.<\/p>\n\n\n\n

a3lier architettura<\/h3>\n\n\n\n
\"a3lier<\/figure>\n\n\n\n

Founded in 2008 by Fabrizio Fobert, Fabrizio Lastella and Marco Remorini<\/strong>, a3lier architettura<\/strong> works between Turin and Verona, approaching design across the different scales of living, working and spaces intended for collective life. In its own description, the studio extends this attention from the individual building down to the piece of furniture, assigning an important role to material execution and collaboration with craftspeople throughout the process.<\/p>\n\n\n\n

Residential design is one of the areas in which this research emerges most clearly. Casa NED<\/strong>, in Turin, begins with a traditional apartment in the Santa Rita district and removes its internal partitions to create a more open environment, where lightweight steel-and-glass structures replace walls and allow views to pass through the home.<\/p>\n\n\n\n

Alongside Casa NED, the portfolio includes other Turin interiors such as Blackbird Living<\/strong> and Rolling Stairs Duplex<\/strong>, as well as more recent residential projects developed in other Italian cities.<\/p>\n\n\n\n

Closing this selection, a3lier represents a generation of designers for whom discussing interiors does not necessarily mean discussing decoration. Interior space is first and foremost the architecture of living: proportions, openings, circulation, integrated furniture and the ability to adapt over time.<\/strong><\/p>\n\n\n\n

Interior design in Turin: a scene with no single design language<\/h2>\n\n\n\n

Looking at these twenty-five studios together, what emerges most clearly is the impossibility of reducing interior design in Turin<\/strong> to a single aesthetic.<\/p>\n\n\n\n

There is certainly a Turin defined by restraint and elegance, by historic apartments, boiserie, decorated ceilings and nineteenth-century proportions. Yet alongside this image exists a radical, experimental city, deeply connected to industrial culture and to the ability to transform materials and technologies into design language. The history of Carlo Mollino and Studio65 demonstrates this, but the same tension continues to emerge, in completely different forms, among subsequent generations.<\/p>\n\n\n\n

Some designers work through colour, while others place their trust in materials; some construct interiors beginning with custom-designed furniture<\/strong>, while others radically transform the floor plan; some focus their research on private homes, while others bring the same sensitivity to hotels, restaurants, shops and workplaces. Some studios have developed an international profile, while others deliberately maintain a practice closer to the domestic scale.<\/p>\n\n\n\n

What unites them is therefore not an immediately recognisable Turin style, but something more profound: the conviction that interior space deserves the same level of design precision as architecture itself<\/strong>.<\/p>\n\n\n\n

Perhaps this is precisely where Turin continues to distinguish itself. In a city where design, industry, craftsmanship and architecture have intersected for decades, designing a home does not simply mean choosing what will be placed inside it. It means working with proportions, light, materiality, memory and ways of living.<\/p>\n\n\n\n

And it is at this seemingly more intimate scale that a significant part of Turin\u2019s design culture continues to take shape today.<\/p>\n","protected":false},"excerpt":{"rendered":"

Turin has shaped a significant part of its identity through design. It has done so through major industry and the automotive sector, through architecture, graphic design, furniture, education and that distinctive culture of detail that continues to emerge even when the scale becomes smaller and design enters the home. In 2008, Turin became the first…<\/p>\n","protected":false},"author":6,"featured_media":24836,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[351],"tags":[],"top_category":[],"class_list":["post-24898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interior-design"],"acf":[],"yoast_head":"\nBest Interior Designers in Turin: 25 Studios to Know<\/title>\n<meta name=\"description\" content=\"Discover 25 of the best interior designers in Turin, from established names to contemporary studios shaping residential, hospitality and retail interiors.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.archieinteriors.com\/en\/best-interior-designers-in-turin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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